In the film “Up in the Air,” George Clooney plays Ryan Bingham, whose career takes him all over the country to fire employees for companies that are downsizing. Ryan moves through life quickly, precisely, and without hesitation. He wields the machete of professional job termination with efficiency and (at least superficial) kindness, and once he has finished a job, he doesn’t look back. As Ryan tells a rapt audience of colleagues in a distinctly Aries-tinged monologue,
The slower we move, the faster we die. Make no mistake, moving is living. Some animals were meant to carry each other, to live symbiotically over a lifetime. Star crossed lovers, monogamous swans. We are not swans. We are sharks.
But at the zenith of his career, Ryan’s lifestyle of perpetual travel and unfettered independence is threatened both by new technology that could mean an end to his solitary life on the road, and by the realization that relationships mean more to him than he’d suspected.
Clooney’s Aries-like character (a confirmed bachelor) encounters the Libran other in the form of a fetching woman he meets on the road, but also in the wedding that reunites him with his family. Ryan seems surprised at the tenderness he feels for the sisters he essentially abandoned when he left their prosaic home town. As he tries – tentatively – to reconnect with them, he finds that they, too, have moved on, and that there is no easy place for him in their lives. Not only is his bachelor apartment in far-away Omaha stark, utilitarian, and not really a home; but he finds he doesn’t belong among his family, either. When someone on an airplane asks where he’s from, he simply answers, “Here.” (more…)